For those interested in simulating the sound of Porcelain or Threes, Sparta’s latest and most focused outing to date, we’ve devised the following recipe: take two supernovas, one-and-a-half thunderstorms, any song from U2’s October, a flock of gazelles being shot at by a band of rabid man-eaters, any song from Radiohead’s The Bends, and one teenage girl who has just learned that her boyfriend’s been sleeping with her sister. Throw all ingredients down the stairs at once. Garnish with a dusting of speed and serve dangerously hot. Yields infinite servings.
Of course, you can always go for the old fashioned approach and just listen to the albums. But be warned: approximately 90 seconds into songs like “Taking Back Control,” the band’s most radio-ready single to date, you may begin to feel as though you’re trying to drink down a comet. Do not be alarmed. This is normal. You’re listening to Sparta, the second in Culturespill’s new series of “The Best Bands You’ve Never Heard Of.”
If you’ve heard anything about this rising bunch of slingers and singers from El Paso, then you might know that they’re half of what used to be known as At the Drive In, those now-defunct sorcerers of distortion-soaked hardcore punk. But don’t let that fool you. Sparta’s sound boasts as much testosterone but less of the angst of their famously afroed forefathers. OK, so maybe only one of them sported the whole let’s-be-white-dudes-with-afros thing, but Jesus, Cedric, that hair was really frickin’ big.
Sparta performing “Taking Back Control”
But if the only thing At the Drive-In is remembered for is big hair and, well, maybe that one time they pretended to be a polka chapel band just to score a live spot on a TV show (I’m still waiting to hear the polka-punk rendition of “The Lord’s Prayer”–I would give my first-born child for that bootleg–hell, take ALL my kids–no, I’m serious. Please.), they’ve got Sparta to thank for it. Trading the slash-yourself-and-sing-about-it abandon of ATDI’s Acrobatic Tenement for the softened but still-present edges of their own Porcelain, Sparta has found a way to risk the leap from ATDI’s adolescent mania to a sound that some might be tempted to describe with the word that has driven a steak through the hearts of many careers in music–hold your nose now–“mature.” I know, I know. Here–take this barf bag.
But that’s just the thing about Sparta–if we must call them “mature” in our useless comparisons with their predecessors, they find a way to do it without sounding so bored you think they’re just singing along to their grandpa’s record collection. In fact, the lush, sonic roller coaster of “The Guns of Memorial Park” or the gorgeously trippy “Syncope” burst from the stereo like exploding stars, the blistering hooks of Keeley Davis’s guitar riding Jim Ward’s soaring vocals into the unexplored reaches of your dreams. Now with the searing single “Taking Back Control” climbing as high as #24 on US Rock charts, Sparta threatens to make a quick transition from “The Best Band You’ve Never Heard Of” to “The Best Band You’ve Heard Too Much About,” especially with their relentless touring of Europe recently with bands like Lola Ray, Lovedrug and My Chemical Romance (hey, don’t judge a band by the company they keep–Sparta’s got to make a living too.)
In the meantime, if you’re in Texas, you’re also in luck. Check out their website for the slew of dates they’ve got coming up in Lonestar country starting with an April 14th gig in Austin.