You might think you’ve got this Reading, UK quintet figured out from the start when “Can’t Fish,” the opening track on Pete & The Pirates’ sophomore LP One Thousand Pictures, showers you in its theatrical and soaring gush of guitar and percussion. Perhaps you think you hear Band of Horses or even The National somewhere off in the distance of the song, and maybe you do. But when the alternately menacing and supine second track “Cold Black Kitty” mingles the roaring chops of Bloc Party or Interpol with the tender-hearted pop balladry of Ray Davies, the record comes off as a distinctly schizophrenic experience, and the band as one wholly uninterested in settling into any particular mode.
It is only fitting that “Cold Black Kitty” thunders with its driving guitars and pulsing adrenaline. After all, front man Tommy Sanders has just gotten done singing of light bulbs exploding in the streets and people leaping out of their windows on the opening track. Elsewhere, as on standout track “United,” the houses on his block are ugly and “hold meetings in the night time” as they stare him down and laugh. Yes, the houses are laughing. Just go with it.
For a record so replete with hard-bitten themes like violence, suicide and heartbreak, you’d think these tracks are the work of a band that takes themselves entirely too seriously. But then Sanders cracks a joke like “You’re in my heart / you’re in my car as well” or explores such existential quandaries as “Who needs a train when you’ve got a train track and a motorbike with a girl and the back,” and you find enough emotional wiggle room to laugh off the tough stuff and be glad you withstood it in the meantime.
The video for “Winter 1,” which sports the album’s most memorable beat, exudes the kind of low-budget, geeky greatness of those early-’80s new wave videos we took so seriously at the time but giggle at diffidently today. (Be on the look-out for the wholly ridiculous, glow-in-the-dark-orange ski cap around the 1:20 mark. Glorious.) Check it out above.